Spring 2009 Volume 19
Review by Autumn Walck
Manhattan Magazine paints itself with as much passion inside the pages as is found on the graffiti of the building on the front cover. “Sometimes, I feel like a broken toy…each time increasing the fragility,” begins the first poem “Broken Toy” by Maura Kate Costello. Her words set the tone for the collection of the pieces inside of the magazine. They all flow with a connection to your heartstrings like the tumultuous love between two adolescents that end their romance in tragedy from Kevin Vachna’s story, “Killing ReginaMcAlister.” Vachna writes, “Shutting the door, she kissed hungrily at my mouth, the loaded gun, unsuspecting what was about to occur.” This begins many of the moments in his piece where you can feel the pull of emotions coming from the author and spilling out into his writing. It becomes the common thread that links the place of endearment from which each photograph, poem, and story derives. The young authors of Manhattan Magazine approach each piece with a unique perspective that hints at something deeper.
The magazine features drawings and photographs spread evenly, in color and in black and white, throughout the pages. These each add something new and exciting. “Guitar” by Ricky Mason is a drawing of a woman holding a guitar to her chest. Her hair covers her face, but the passionate grip of her hands on the guitar communicates desire and longing. “One Train” by Ashley Roman is a color photograph of an empty subway trail with a symmetrical view that extends almost like an illusion back into the page.
“Hush, Child, Hush,” a poem by Alana Powell, connects the suffering faced by a mother and daughter in
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